Wednesday, May 12, 2010

The Disney deception

WARNING: Even a small dose of "fairy dust" may be lethal to your eternal spotless soul.

A little "angel" spoke to me. You may know her from her comments and also the NASA article - Orion's Belt Tied Around Freemason Astronauts. Her name is "Lenci" which is short for Valencia.

Disney's Magic Kingdom

Here is Lenci's comment which inspired me to write this article.
I was just sitting here contemplating this “weapon of mass destruction”, that being the music industry. As I watched Rihanna’s performance video on the Nickelodeon Awards, it occurred to me that the devil’s agenda is so evident yet our children have no idea (and that’s partly due to parents ignorance) of his plan to kill them! I know that sounded harsh, but it’s a reality. Seeing that satan was the minister of music in Heaven, it’s only fitting that his biggest weapon be music. It harmonizes perfectly (literally) with captivating the soul to its’ attractiveness. For me, music takes me to another dimension within my subconscious which is why it’s utterly important that I listen to positive, uplifting and God-praising music. At one time, I was heavily addicted to rock music and could never understand why I felt so drained every time I stopped listening to it. Now, I know it was the power of persuasion it had on me. I’d bob my head back and forth so hard I’d feel a second shy of having a seizure.

My heart cries out for Miley as she didn’t ask to be a product of MK. If the DNA factor is the culprit, well that would mean her deception was already predestined before she was even conceived. Which leads me to ask: “Does satan have the power to foresee his plan for someone who hasn’t even been born yet”? Sometimes I think, I think too hard……..
When she talked about Miley and that she might have been "predestined" to play this role, my first reaction was to immediately dismiss this possibility. But her comment merged in my mind with other comments I had read on other sites about the pattern of the careers of Disney child stars once they leave the "Magic Kingdom".

And I was also thinking about my last article on Cognitive Dissonance with regards to Miley's "Can't be tamed" video. And it occurred to me that a key element in this cog-diss was the previous Christian image that had been created around Miley's persona...

...

... Could it be that this was all an intentional setup? A cynical con game? First lure in the suckers with a few rounds where their Christian God is the winner, and then when the stakes get high and all the souls of young teenage girls are on the table, the skilled master of slight-of-hand pulls out an unseen Ace from up his sleeve and cleans up.

Is that what this game is all about? First the "good" salesman, Disney, woos the parents of young girls until he gains their confidence and they offer their young offspring up to follow this seemingly harmless pied piper as he leads them dancing and singing through the Magic Kingdom.

The old evil Mickey vs. the new good Mickey
Mickey Mouse will get his debut feature game on the Wii with the newly announced Disney Epic Mickey... Looking at the screenshots and artwork it looks like Warren has taken Mickey back to its original roots with a more evil and mischievous look.

In the game’s fiction, a sorcerer named Yen Sid creates a beautiful, whimsically-twisted world where Disney’s forgotten and retired creations thrive. Originally, the powerful sorcerer from “The Sorcerer’s Apprentice” in Walt Disney’s 1940 film “Fantasia” was nicknamed “Yen Sid” [Disney spelled backwards] by Disney animators, although never named as such on screen. In Spector’s game, Oswald the Lucky Rabbit – Walt Disney’s first cartoon star created in 1927 – becomes the earliest inhabitant of Yen Sid’s Cartoon Wasteland after Mickey Mouse is created. Oswald makes the Cartoon Wasteland comfortable for other retired characters as they join him in this magical land. Years pass, and as Oswald dwells in the Cartoon Wasteland, he becomes resentful watching Mickey’s popularity swell. When Mickey curiously stumbles upon Yen Sid’s map, he makes an innocent yet terrible mistake and inadvertently devastates Oswald’s comfortable world. Eventually, Mickey’s mistake pulls him deep into the mysterious Cartoon Wasteland to face the destruction he unknowingly created.
And then once the young girls and their parents have dropped all their defenses and have entrusted all their hopes and dreams with him, this "good" salesman hands the "customer" off to his evil manager to finish the deal. By now the trusting parents and their naive young children are willing to sign any papers that are placed before them without even bothering to read them, because they have grown to trust this "company" through their long and personal relationship.

Having obtained the signatures from the parents granting him guardianship over the souls of their offspring the evil manager then sells the contract to his partners in this infernal business - the record companies, MTV, etc.

It sounds like the plot of a Disney cartoon - perhaps "101 Dalmatians" or "Snow White" - with an "evil witch" stand-in character and everything. Could this "fantasy" actually be a hidden warning about the reality of Disney's machinations?

Remember Pinocchio? I suggest reading Vigilant Citizen's article, "The Esoteric Interpretation of Pinocchio", which analyzes this Freemason inspired story to learn how this seemingly innocent tale is fraught with anti-Christian messages.


Remember the "Blue Fairy" in Pinocchio? (My notes appear in square brackets - "[]".)
The “Blue Fairy”, the representative of the Great God, then descends to earth to give Pinocchio a spark of the Universal Mind, the “Nous” of the Gnostics.

“It was affirmed by the Gnostic Christians that the redemption of humanity was assured through the descent of Nous (Universal Mind), who was a great spiritual being superior to the Demiurgus [creator god] and who, entering into the constitution of man, conferred conscious immortality upon the Demiurgic fabrications [mankind?].”
- Manly P. Hall, Secret Teachings of All Ages.
Who are the Gnostics?
The Gnostics, it is true, borrowed their terminology almost entirely from existing religions, but they only used it to illustrate their great idea of the essential evil of this present existence and the duty to escape it by the help of magic spells and a superhuman Saviour.
...
This utter pessimism, bemoaning the existence of the whole universe as a corruption and a calamity, with a feverish craving to be freed from the body of this death and a mad hope that, if we only knew, we could by some mystic words undo the cursed spell of this existence — this is the foundation of all Gnostic thought.
...
The second great component of Gnostic thought is magic, properly so called, i.e. the power ex opere operato of weird names, sounds, gestures, and actions, as also the mixture of elements to produce effects totally disproportionate to the cause. These magic formulae, which caused laughter and disgust to outsiders, are not a later and accidental corruption, but an essential part of Gnosticism, for they are found in all forms of Christian Gnosticism and likewise in Mandaeism. No Gnosis was essentially complete without the knowledge of the formulae, which, once pronounced, were the undoing of the higher hostile powers. Magic is the original sin of Gnosticism, nor is it difficult to guess whence it is inherited. To a certain extent it formed part of every pagan religion, especially the ancient mysteries, yet the thousands of magic tablets unearthed is Assyria and Babylonia show us where the rankest growth of magic was to be found.
This gives a whole new meaning to Disney's "Magic Kingdom", doesn't it? Consider this. When is the last time you heard Christ mentioned on the Disney Channel?

Another connection to Miley Cyrus and the Great Whore of Babylon

Coincidentally, Gnosticism seems to have its origins in Babylon. This struck me when I read it because in my first article on Miley's "Can't be tamed" video I drew parallels between the manner in which Miley was depicted and the Babylonian goddess Ishtar. And I mentioned specifically the conquest of Babylon by the Persian (Iranian) king Cyrus the Great.

Cyrus the Great - King of Persia and conquerer of Babylon

And again going back to Lenci's comment, Miley's last name, Cyrus, coincides with the name of this great conqueror who is mentioned numerous times in the Bible. So is it possible as Lenci suggests that Miley was pre-destined to play the role of Ishtar? I have no comment, but it is a disturbing thought nonetheless.
When Cyrus [the Great of Persia] entered Babylon in 539 B.C., two great worlds of thought met, and syncretism in religion, as far as we know it, began. Iranian thought began to mix with the ancient civilization of Babylon. The idea of the great struggle between evil and good, ever continuing in this universe, is the parent idea of Mazdeism, or Iranian dualism. This, and the imagined existence of numberless intermediate spirits, angels and devas, are the conviction which overcame the contentedness of Semitism.

On the other hand, the unshakable trust in astrology, the persuasion that the planetary system had a fatalistic influence on this world's affairs, stood its ground on the soil of Chaldea. The greatness of the Seven — the Moon, Mercury, Venus, Mars, the Sun, Jupiter, and Saturn — the sacred Hebdomad, symbolized for millenniums by the staged towers of Babylonia, remained undiminished. They ceased, indeed, to be worshipped as deities, but they remained archontes and dynameis, rules and powers whose almost irresistible force was dreaded by man. Practically, they were changed from gods to devas, or evil spirits. The religions of the invaders and of the invaded effected a compromise: the astral faith of Babylon was true, but beyond the Hebodomad [the seven divinities as represented by celestial bodies] was the infinite light in the Ogdoad [Supreme being - Lucifer?], and every human soul had to pass the adverse influence of the god or gods of the Hebdomad [the seven divinities] before it could ascend to the only good God beyond. This ascent of the soul through the planetary spheres to the heaven beyond (an idea not unknown even to ancient Babylonian speculations) began to be conceived as a struggle with adverse powers, and became the first and predominant idea in Gnosticism.
Let me attempt to summarize this passage, and explain its significance. Gnosticism first appeared when the Persians - today's Iran - conquered the Babylonians. As I mentioned in my previous article - Miley Cyrus - the Great Whore of Babylon - the rulers of Babylon at the time of the conquest were the Chaldeans. And the Chaldean's worshiped the female goddess Ishtar, who we know from the Bible as the Great Whore of Babylon. And as I also mentioned, Miley's public persona seems to be fashioned after Ishtar.

Gnosticism then emerges out of the syncretism of Persian and Chaldean (Babylonian) religious beliefs. Syncretism simply means the combining of two religions into one. In this new religion a supreme god emerges. It's not clear whether that supreme god is in some way related to Ishtar, but I have my suspicions that it is.

Ishtar is also Venus (the love-sex goddess), the morning star. And Lucifer also refers to the morning star. Prometheus as we have seen is closely related to Lucifer since they are both bringers of light/fire to the mortals on Earth. This brings me to the conclusion that Ishtar is a female manifestation of Lucifer-Prometheus. And that Ishtar-Lucifer-Prometheus is the supreme god of the Gnostics. But I want to emphasize that the origins lie with the Chaldean (Babylonian) goddess of Ishtar which was then adopted by the conquering Persians and transformed to fit into their system of beliefs.

Since the Persians at that time controlled the greatest empire in the western world, these beliefs would have been able to spread widely throughout the Persian Empire. Then when the Persians were conquered by Alexander the Great of Greece (actually Macedonia), they could have spread even farther while going through another syncretic transformation. And when finally the Romans conquered the Greeks, there would have been yet another transformation and further dissemination of the Gnostic beliefs and the accompanying cult of Ishtar.

This would have come to an abrupt halt with the adoption of Christianity by the Roman Emperor Constantine in 312 A.D. It can be assumed that the Christians would not have tolerated the lack of morality and the use of sex in religious ceremonies that traces it roots back to the cult of Ishtar. From thereon the Gnostic church would have been forced to go underground and its followers would have had to disguise their beliefs and system of worship by pretending to be worshipers of Christ.

This is similar to the actions of the Freemasons, who do not worship the God of the Christian faith, but some other supreme being whom many have concluded to be Lucifer. And if my suspicions are correct than Lucifer himself is a disguise for Ishtar. While Lucifer is publicly promoted through the myth of  Prometheus as publicly displayed in Rockefeller Center and as symbolically depicted in the current Iron Man 2 movie.

Since Ishtar is connected to Lucifer through the origins of the Gnostic beliefs in Babylon, any association of Miley Cyrus with Ishtar actually takes on a much greater significance.

It is important to understand how the Gnostics view the God of the Bible. The Christian God is viewed as a "false god" which is inferior and subordinate to the supreme being of the Gnostics. He is also associated with Zeus, the king of the Greek gods, which again makes the connection with Greek myth of Prometheus.
The introduction of a distinct creator God or demiurge. Which is an illusion and as a later emanation from the single monad or source, this second God is a lesser and inferior or false God. [or "God of the masses"]
...
The demiurge as a tyrannical God having caused the imperfect material world and all of its suffering, is as the creator God of the pagan philosophers (Zeus) and the Judaeo-Christian-Islamic creator God (Yahweh or Adonai) not real but a construct or illusion of the human mind (as nous).
Given all this, we can see the connection between Gnosticism, Freemasons and the occult. And we can see how Disney through its promotion of "magic" assists this coalition in achieving their goals. It should not, then, come as a complete surprise that Disney would be used to cultivate young female talents which can be ritualistically transformed into new age priestesses of the cult of Ishtar - the Great Whore of Babylon.

Was Walt Disney a Freemason?

Yes and no. Like ex-President Bill Clinton, Walt Disney belonged to a Freemason youth group called the "Order of DeMolay".

Walt Disney's evil alter ego - "Yen Sid"

It appears to me from the information below that Walt Disney inserted himself into the well-known Disney classic "The Sorcerer's Apprentice", from the 1940 film Fantasia. His alter ego is a powerful magician.

Sid is also the name of the "disturbed, hyperactive, sadistic 10-year-old boy and the main antagonist" of the original Toy Story computer animated film. Sid is short for "Sidney", which is of course an anagram for Disney. Toy Story was significant because "it was the first feature film released to use only computer-generated imagery."

From Wikipedia's entry on "Yen Sid".
Yen Sid ["Disney" spelled backwards] is the powerful sorcerer in the segment The Sorcerer's Apprentice, from Disney's 1940 film Fantasia. He appears as an old man with a long beard and robes that extended to the floor....Film historians believed Fred Moore [see below] added the same sized nose as Walt Disney's nose, and even added the same eyebrow length as Walt Disney's eyebrows.

Yen Sid serves as the sorcerer under whom Mickey Mouse is an apprentice. After executing a series of spells of summoning light out of a skull, changing its appearance as Mickey witnessed it while in the middle of his chores, Yen Sid decides to take a rest as he leaves his hat behind. From there, Mickey takes the hat and uses its magic to bring a broom to life...

Walt Disney wearing a not-so-magic hat

Yen Sid giving Mickey the Evil Eye for stealing his Wizard's Hat

From Wikipedia's Fantasia article.
After nearly drowning in a giant whirlpool, Mickey is rescued by the wizard [Yen Sid], who returns and magically halts the flood and causes all the brooms to vanish. Angrily, he surveys the damage wrought by his apprentice (giving what Disney animators termed "The Dirty Disney Look"; the one raised eyebrow was an oft-repeated stare of disapproval from their boss). The embarrassed apprentice sheepishly defers to his master and returns to his work. The wizard displays a hint of a smile, secretly enjoying the humor of the situation, and hits him on the behind with the now inanimate broom, sending him scurrying from the room.

Who is Fred Moore?

He was a natural artist who became the Mickey "expert" at Disney studios. It appears that Fred Moore's alter ego in Disney cartoons may have been Lampwick from the 1940 film Pinocchio -  "a naughty boy Pinocchio meets and befriends on his way to Pleasure Island. He turns into a donkey while the boys are shooting pool." (Notice that Fantasia was also released in 1940,)

Fred Moore

Lampwick from Pinnochio

From Wikipedia article on Fred Moore.
Moore is best known for being the resident specialist in the animation of Mickey Mouse. He is most notable for re-designing the character in 1938 for his landmark role as The Sorcerer's Apprentice in Fantasia, a look which remains Mickey's official look to this day.
...
Moore was well-known around the studio for his drawings of innocently sexy, often nude, women, referred to as "Freddie Moore Girls." Some of his girl designs found their way into Disney films: for example, the centaurettes in Fantasia and the teenage girls in the "All the Cats Join In" segment of Make Mine Music.
You can see the complete "Pastoral Symphony from Fantasia" which features Moore's "sexy" (or sexist) centaurettes here. Notice also the racist depiction of a smaller darker centaurette with obvious African-American facial features.

Saturday, May 8, 2010

Iron Man as Prometheus Unbound

WARNING: The devil is practiced at the art of deception.

"Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens."
- St. Paul in his letter to the Ephesians 6:11-12

Having read this Biblical quote and knowing that this is a review of the new Iron Man movie, you would be justified in assuming that the Iron Man suit is somehow related to the "armor of God" and that he is somehow doing symbolic battle with the forces of evil in the Heavens. You could not possibly be further from the Truth.

Let there be light...

For Iron Man represents the forces of Prometheus who attacked the gods and stole fire from the Heavens and gave it to Man. Hail Prometheus!

Prometheus by occultist painter Jean Delville

If Iron Man represents Prometheus then Iron Man's enemy must represent one of the other gods of Olympus - but not just any god - the one that bound him as punishment for an aeon. Ah, but be patient. All shall be revealed.

Prometheus Bound by William Blake

The setting is the site of the New York World's Fair in 1964. Most of you are too young to remember this event. The SYMBOL of the fair was the Unisphere which so prominently features in Iron Man 2.




Creation of Unisphere by USS (United States Steel) video


This celebration took place at the height of the Cold War - just after the Cuban Missile Crisis that brought the world to the brink of nuclear annihilation. Despite the moniker of "world's fair", most major European countries and the Soviet Union refused to participate due to a conflict over the rules. One of the largest exhibits at the "fair" was General Motors' Futurama pavilion which purported to show a city of the future.




This was a time when the Race to the Moon had just begun and the Soviets had a huge lead. They had put into orbit the first artificial satellite - Sputnik (which means "co-traveler") - on October 4, 1957. It took Sputnik just 96 minutes to complete one orbit around the Earth. And thus, the "space age" was born.


On April 12, 1961 Soviet Cosmonaut Yuri Gagarin became the first Man to orbit the Earth.


The first Man to ascend into the heavens - the home of the Gods. Prometheus must have been proud that day of his human protégés.
During his flight, Gagarin famously whistled the tune "The Motherland Hears, The Motherland Knows". The first two lines of the song are: "The Motherland hears, the Motherland knows/Where her son flies in the sky".
[baba: Note that Prometheus and Mother Earth are symbolically closely linked.]
...
Around the same time, some Western sources claimed that Gagarin, during his space flight, had made the comment, "I don't see any God up here." However, no such words appear in the verbatim record of Gagarin's conversations with the Earth during the spaceflight.
[baba: Isn't it curious how the godless capitalists like to attack the communists for being godless?]
But the United States with the aid of former Nazi rocket scientist Werner von Braun, who had designed the German V-2 rocket that terrorized England during WW II, was able to not only catch up with the Soviets, but soon overtake them.

Nazi V-2 rocket replica

Werner von Braun in civilian suit posing with top Nazi brass
And by the end of the decade, it was the Americans that had landed the First Man on the Moon in 1969.

Footprints on the Moon

Man had taken his first steps on one of the heavenly bodies which formerly had been exclusively "the home of the gods". Prometheus could truly say at this point in time that he was the proud benefactor of Humanity which was beginning to challenge the gods.


At the New York World's Fair the theme song was provided by Walt Disney. The name was "It's a Small World".
It's a small world after all
It's a small world after all
It's a small world after all
It's a small, small world
(repeat)
(repeat)
(repeat)
ad infinitum... ad nauseam...
Never in the History of Mankind had a generation been more effectively brainwashed than the Baby Boom Generation of 20th Century America.

And here we are in 2010. The 21st Century. The Golden Age of Mankind.

In the 20th Century technology was used to Land a Man on the Moon. In the 21st Century technology is used to create a half-robot half-man that can fly through the heavens like a god. Hail Prometheus - bringer of fire and light!

Statue of Prometheus bringing fire down from Mt. Olympus at Rockefeller Center

But this creation does not exist in our physical reality. And yet, he is no less real because he is confined to the 2-dimensional virtual space of a movie screen. Because that image projected on that screen is reflected in our eyes and travels through the optic nerve to the optical processing regions of the brain and forms memories just as real as the ones that we experience in the physical world.



He flies - and we fly. He walks through a crowd of reporters and onlookers - and we walk through a crowd of reporters and onlookers. And he battles - and we battle. And he suffers - and we suffer. And he triumphs - and we triumph. Hail Prometheus! Ruler of us all.

And who does he battle? Who is his enemy? Our enemy. Our immortal foe.

It would seem that the Soviet Russians are back again. But wait. What is this? Our godless communist wears a Cross of Jesus. He carries with him prayer beads.


His Father died and left him with the gift of his knowledge. He completed his Father's dream, and made it a reality.

His weapon is electricity. A lethal spark in the shape of an evil whip. Is he not Evil? Should we not hate and despise him?

And in opposition to him stands the evolution of Iron Man. No longer the ferrous metal of the Romans. But a high-tech material which has Progressed to become impervious to all weapons. Invincible. Unstoppable. Immortal. Like the gods of Olympus.

But our Hero suffers a fatal flaw which threatens to destroy his very life. Iron Man is on the verge of self-destruction.

He reaches out to his Father. And begs, "Father, help me". "Help your son to battle against the son of your immortal foe."

Freemason god with compass inside all-seeing eye by 18th century mystic William Blake

And the Father receives this message from His Son and reveals to him His Great Plan. But the secrets of the past are hidden in the form of coded messages which only the Chosen can decipher.

As one of the Chosen Scientists, Anthony Stark is able to decode this message from the past and uncover its secret. And behold, a new Element is born.

And this new Element - whose name I do not know, but whose sign is an inverted Triangle - is the Solution which has evaded Tony for all these years. Tony is Saved.

With this new gift from his Father he is able to go out and do battle with the forces that are arrayed against him. And he is able to deliver unto his Enemy a crushing defeat. And we applaud him. He is our Champion. All hail, Prometheus!

Who then is this vile villain against which our Hero battles and eventually Triumphs?

In ancient times it was believed that if one knew the name of one's opponent then one could exert magical powers over him.

The true name of Iron Man's opponent is Zeus. The King of the Gods. The bearer of Lightning and Electricity. It was these same gods of Olympus that had withheld from Man the Power of Technology. Because they knew that once man had acquired these tools of science, that it would only be a matter of Time before Man became greater than the Gods.

Zeus - Greek god of lightning

If I were to end this story now, I would be doing the evil forces the greatest favor. Why? Because, the devil is practiced at the art of deception. And up until now the only thing that I have revealed is the very same thing that the devil wants to be revealed. The devil lives in a world where up is down, and down is up.

The "good" white triangle and the "evil" black triangle

Seal of Satan

Goat of Mendes - Baphomet

To read the Truth we need to read the devil's message in a mirror. In that reflection we can finally read the True message.

It's time to lift up the veil.

In the Promethean Legend Zeus does not only represent the gods, but Religion itself. And Prometheus is Lucifer - the devil himself. But Lucifer/Prometheus is depicted by the satanic forces as a great hero. Someone or something to be worshipped.

Prometheus is Progress. And according to the devil, all Progress is Good. And also according to the devil, Religion is the Enemy of Progress.

And that is why in the movie Iron Man, the enemy is depicted wearing a Cross. While Iron Man is depicted wearing the Luciferean symbol of an inverted triangle.

Iron Man with Inverted Triangle Sigil (click to enlarge)

Fiery fennel emerges from head of Baphomet

[Can you see the similarities between the two figures above? In order to do so you must focus on the overall composition as an artist would and not on the details. The faces and the arms do not match up, in this context. Instead the head of Iron Man corresponds to the flaming fennel which juts out above the head of the Baphomet. And Iron Man's arms correspond to the wings of the goat-faced creature. Notice the hidden embedded inverted triangle inside the pentagram (five pointed star) on the forehead of the Evil One and observe how its position lines up with the Inverted Triangle Sigil on the chest of Iron Man. Just below this on Iron Man's chest are what appear to be a pair of eyes corresponding to the face of the monster.]

Pentagram - five pointed star

[The space between Iron Man's body and his left arm suggests the downward left arm of the half-human figure, while the v-shaped pose of its right arm is imitated by the outline formed by the illuminated clouds on the right side of Iron Man's body. And in both pictures the lighting seems to be provided by a moon hidden behind the clouds. Now take one last look at the figure of Iron Man and notice how the helmet which encapsulates the skull of the lost soul trapped inside appears to be on fire when contrasted with the rest of the figure. This represents the fire which Prometheus stole from the gods. But this fire also represents the gift of intellect which is the function of the most mysterious of all human organs - the brain. And one final observation. The Iron Man suit is an artificial exoskeleton - like that of an ant or a shark.  Interestingly enough their is one part of the human body that God created with a true exoskeleton to protect it - the brain. The human skull is like a helmet which protects and cushions the brain from impact. Which brings up an age old philosophical question. Where is the seat of the soul in the human body? Is it in the intellectual brain encased in the skull, or in the pounding heart surrounded by a skeletal cage?]

The battle that takes place in the Heavens above the Unisphere is between the Christ and the Anti-Christ.  Can you figure out by now which is which? The drones are a diabolical representation of God's angels. We are seeing how this battle should take place according to the Anti-Revelation of the satanic forces.

"Satan arousing the rebel angels" by William Blake

From this satanic point of view, Christ is a monster determined to keep Man from acquiring the fruit of the Tree of Knowledge. It is as if the world had been turned upside down and Heaven is below, and Hell is above. Or as if the demons were to occupy Heaven, while the angels were exiled to Hell.

Demonic parody of Jesus on steroids having a bad hair day
Sagrado Corazón - Sacred Heart of Jesus
[Notice any similarities? Same hairstyle, same facial hair. Both have a heart exposed outside their chest. Yet no one notices this demonic parody just because the character in Iron Man 2 is not named Jesus?]

There is one last clue. As the credits are rolling the first song that we hear is "Highway to Hell". Oh, you trickster. See how you dare to reveal yourself to us. What infernal game is this that you are playing?

To be continued...

Mozart and the Promethean Plan

... to be preceded.

I owe all of you an article on the Promethean Plan which I have hinted at in my recent comments. Prometheus is the Greek god that gave fire to Mankind. In the myth, fire symbolizes science and technology. For now let me just say that the Promethean Plan is a plan by the Elite to turn themselves into gods through the use of science and technology. Like gods they would become immortals and all powerful and all knowing. (Think of the singularity and the transhumanists dreams.) Ultimately they wish to live among the stars like the Pharaohs of Ancient Egypt. Their goal is to travel to the three stars in the belt of Orion which are associated with the Giza pyramids and are thought to be the final resting place of the Pharaohs.

Tonight I woke up at 2 AM, startled from a dream. I wrote myself an email. Its title was "Hidden clues". And its contents were only this:
Popul Voh
Amadeus - silhouette
The magic flute by Mozart
Popul Voh

I knew from the dream that Popul Voh had something to do with Prometheus. Here is what I found.
http://en.wikipedia.org/wiki/Tohil
Tohil (also spelt Tojil) was a deity of the K'iche' Maya in the Late Postclassic period of Mesoamerica. At the time of the Spanish Conquest, Tohil was the patron god of the K'iche'.[1] Tohil's principal function was that of a fire deity and he was also both a sun god and the god of rain.[2] Tohil was also associated with mountains and he was a god of war, sacrifice and sustenance.[3] In the K'iche' epic Popul Vuh, after the first people were created, they gathered at the mythical Tollan, the Place of the Seven Caves, to receive their language and their gods. The K'iche', and others, there received Tohil.[4] Tohil demanded blood sacrifice from the K'iche' and so they offered their own blood and also that of sacrificed captives taken in battle. In the Popul Vuh this consumption of blood by Tohil is likened to the suckling of an infant by its mother.[5]
While it is not completely clear from this passage, it appears as if Tohil - like Prometheus - gave the gift of fire to mankind.

There is more information in the Wikipedia entry on the Popul Voh which describes a creation myth of "the Post Classic Quiché kingdom in Guatemala's western highlands."
http://en.wikipedia.org/wiki/Popul_Vuh
Creation of humans, migration, and first dawn. Animals gather white and yellow corn from which the gods create Balam-Quitze, Jaguar Night, Naught, and Wind Jaguar. Their four wives are later created while they sleep. Their descendants travel to Tulán Zuiva to await the first dawn. The god Tohil gives fire, but it is extinguished by hail. Tohil requires concessions to restore their fire, but the Quiché hide themselves in smoke and obtain their fire without conditions. The Quiché rise to prominence over the other tribes. The first dawn appears, dries out the land, and turns original animals to stone. Distinct languages evolve.
Here again Tohil gives fire to the people - just like Prometheus in the Greek myths.

I don't know what sparked the vision of Popul Voh. I have heard of this term before and associated it with pre-colombian beliefs of people of the Americas. But I have never studied it.

Amadeus silhouette

I do know what sparked the vision of the Amadeus silhouette. It was a silhouette against the full moon in the Miley Cyrus "Can't be tamed" video which appears just as Miley, the birdwoman, and her fellow creatures escape from their cage to go on a rampage through the Natural History Museum.

"Can't be tamed" full moon silhouette

In posters for the movie Amadeus, a similar silhouette appears. When my mind had made the association the results were so startling that I woke up and got up from my bed to immediately begin searching for information on the internet.


Amadeus is about Wolfgang Amadeus Mozart - otherwise simply known as Mozart. I remembered that for some reason the Magic Flute by Mozart was important. Most likely I was subconsciously recalling an excerpt from an article by Vigilant Citizen.
http://vigilantcitizen.com/?p=2536

Wolfgang Amadeus Mozart is considered to be one of the most prolific and influential composers of music ever. He also was a Freemason and was initiated in the Austrian lodge Zur Zur Wohltatigkeit on Dec. 14th 1784. Mozart’s creations often incorporated important Masonic elements. The Magic Flute opera was mainly based on Masonic principles.

“The music of the Freemasons contained musical phrases and forms that held specific semiotic meanings. For example, the Masonic initiation ceremony began with the candidate knocking three times at the door to ask admittance. This is expressed musically as a dotted figure: meanings. For example, the

DottedFigure.jpg

This figure appears in Mozart’s opera The Magic Flute in the overture, suggesting the opening of the Masonic initiation.”

- Katherine Thompson, The Masonic Thread in Mozart

The musical progression of The Magic Flute was based on the Golden Ratio (1,6180…), the proportion of everything that is considered divine by Mystery Schools.

Here are compositions created by Mozart for use in Masonic lodges:
  • Lied (song) “Gesellenreise, for use at installation of new journeymen” 
  • Cantata for tenor and male chorus Die Maurerfreude (“The Mason’s Joy”) 
  • The Masonic Funeral Music (Maurerische Trauermusik) 
  • Two songs to celebrate the opening of “Zur Neugekrönten Hoffnung” 
  • Cantata for tenor and piano, Die ihr die unermesslichen Weltalls Schöpfer ehrt 
  • The Little Masonic Cantata (Kleine Freimaurer-Kantate) entitled Laut verkünde unsre Freude, for soloists, male chorus, and orchestra

What most people will get from this excerpt is that Mozart was a Freemason. Wikipedia has more in its entry on The Magic Flute.
http://en.wikipedia.org/wiki/The_Magic_Flute
The Magic Flute is noted for its prominent Masonic elements; Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some interpreters, contemporary Roman Catholicism.[6] Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno), ultimately to make "the Earth a heavenly kingdom, and mortals like the gods" ("Dann ist die Erd' ein Himmelreich, und Sterbliche den Göttern gleich." This couplet is sung in the finales to both acts.)
I don't think the Promethean Plan which I described in the beginning of this article could possible be stated any clearer than how it is here by the Freemason Mozart in 1791...
ultimately to make "the Earth a heavenly kingdom, and mortals like the gods".
Oddly enough (as if this entry wasn't already odd enough) Papageno - who is the character from the Magic Flute - is depicted as a sort of birdman. And of course you will recall that what sparked my vision was Miley's video where she is depicted as a birdwoman.

Papageno from Magic Flute

Miley as birdwoman

And I can't ignore another image from the Wikipedia's Magic Flute article of "The arrival of the Queen of the Night".

The arrival of the Queen of the Night.
Two things strike me about this image. One is the similarity to a vision in the Book of Revelation 12:1 which is associated with the Virgin Mary. I had just recently posted two articles where this passage from Revelation features prominently titled "The occult meaning of Gattaca" and "Agnostica Eugenica Transhumana - A Dragon's tail".
A woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars.
The other is that the overall image has the appearance of an eye - perhaps the "all-seeing eye" of Freemasonry.

This is a true story

Well, there you have it readers. It is approaching 4 A.M. as I am finishing up this story and preparing to go back to sleep. Tomorrow (I mean later today after I wake up) I will see "Iron Man 2" in Imax. I am sure that this will spark a new article. Iron Man is (if you've been following along) an obvious variation of the supermen of The Promethean Plan. I'm excited. :)

Sweet dreams.

And no, I have not been drinking or taking any drugs of any sort - only the communion bread and water at Sunday Mass. And I have been praying the Rosary daily.

To be continued...

Friday, May 7, 2010

Jesse Owens and American eugenics

Jesse Owens receiving Gold Medal for long jump - Berlin Olympics1936

Jesse Owens - a chapter in the history of eugenics

Forget Hitler - it was America that snubbed black Olympian Jesse Owens (excerpts)
Throughout the tortured history of sports and politics, one moment has always stood above the others: Jesse Owens's performance at the 1936 Berlin Olympics.

A black man entered Hitler's Coliseum and destroyed the theory of Aryan physical supremacy by winning four gold medals in track and field.
...
Owens always resisted his role as a political symbol. Having grown up in the segregated American South, the grandson of slaves, he was impatient with American claims of moral superiority over the Nazis.

'After all those stories about Hitler and his snub, I came back to my native country and I couldn't ride in the front of the bus,' Owens recalled. 'I had to go to the back door. I couldn't live where I wanted. Now what's the difference?'

Owens was given a tickertape parade in New York. But when he arrived at the Waldorf Astoria hotel for a reception in his honour, he was instructed to take the service lift rather than the normal guest lift, which was reserved for whites.

President Franklin Roosevelt never congratulated Owens or invited him to the White House. 'Hitler didn't snub me - it was FDR who snubbed me,' Owens said.
...
Instead of the endorsements or acclaim a modern athlete might expect, Owens was expelled from the American Amateur Athletics Union after he went home to try to cash in on his post-Olympic fame rather than star for his country in a tournament in Sweden.

He was reduced to becoming a kind of circus act to support his family... Owens would run sprints against athletes from other sports, even against cars, motorbikes, dogs and horses. He worked as a janitor at a children's playground and petrol pump attendant.


'People said it was degrading for an Olympic champion to run against a horse, but what was I supposed to do?' he said. 'I had four gold medals, but you can't eat four gold medals.'
...
'After I came home with my four medals,' he said, 'everyone wanted to slap me on the back, shake my hand or have me up to their suite. But no one was going to offer me a job.'
Eugenics and the Nazis -- the California connection (excerpts)
Hitler and his henchmen victimized an entire continent and exterminated millions in his quest for a so-called Master Race.

But the concept of a white, blond-haired, blue-eyed master Nordic race didn't originate with Hitler. The idea was created in the United States, and cultivated in California, decades before Hitler came to power. California eugenicists played an important, although little-known, role in the American eugenics movement's campaign for ethnic cleansing.

Eugenics was the pseudoscience aimed at "improving" the human race. In its extreme, racist form, this meant wiping away all human beings deemed "unfit," preserving only those who conformed to a Nordic stereotype. Elements of the philosophy were enshrined as national policy by forced sterilization and segregation laws, as well as marriage restrictions, enacted in 27 states. In 1909, California became the third state to adopt such laws. Ultimately, eugenics practitioners coercively sterilized some 60,000 Americans, barred the marriage of thousands, forcibly segregated thousands in "colonies," and persecuted untold numbers in ways we are just learning. Before World War II, nearly half of coercive sterilizations were done in California, and even after the war, the state accounted for a third of all such surgeries.

California was considered an epicenter of the American eugenics movement. During the 20th century's first decades, California's eugenicists included potent but little-known race scientists, such as Army venereal disease specialist Dr. Paul Popenoe, citrus magnate Paul Gosney, Sacramento banker Charles Goethe, as well as members of the California state Board of Charities and Corrections and the University of California Board of Regents.

Eugenics would have been so much bizarre parlor talk had it not been for extensive financing by corporate philanthropies, specifically the Carnegie Institution, the Rockefeller Foundation and the Harriman railroad fortune. They were all in league with some of America's most respected scientists from such prestigious universities as Stanford, Yale, Harvard and Princeton. These academicians espoused race theory and race science, and then faked and twisted data to serve eugenics' racist aims.

Stanford President David Starr Jordan originated the notion of "race and blood" in his 1902 racial epistle "Blood of a Nation," in which the university scholar declared that human qualities and conditions such as talent and poverty were passed through the blood.

In 1904, the Carnegie Institution established a laboratory complex at Cold Spring Harbor on Long Island that stockpiled millions of index cards on ordinary Americans, as researchers carefully plotted the removal of families, bloodlines and whole peoples. From Cold Spring Harbor, eugenics advocates agitated in the legislatures of America, as well as the nation's social service agencies and associations.

The Harriman railroad fortune paid local charities, such as the New York Bureau of Industries and Immigration, to seek out Jewish, Italian and other immigrants in New York and other crowded cities and subject them to deportation, confinement or forced sterilization.

The Rockefeller Foundation helped found the German eugenics program and even funded the program that Josef Mengele worked in before he went to Auschwitz.
Jesse Owens 1936 Olympics Adolf Hitler


Jesse Owens, Berlin '36


Jesse Owens in Berlin (1/5)


Jesse Owens in Berlin (2/5)


Jesse Owens in Berlin (3/5)


Jesse Owens in Berlin (4/5)


Jesse Owens in Berlin (5/5)

Tuesday, May 4, 2010

Deepak Chopra: "My first experience with spirituality was with LSD when I was 17"

WARNING: Lady Gaga's guru is channeling the spirit of eugenicist-transhumanist Aldous Huxley.

Aldous Huxley - Deepak Chopra's inspiration?

LSD as a Spiritual Experience - Deepak Chopra



ForaTv  October 29, 2009 — Complete video at: http://fora.tv/2009/10/22/Deepak_Chop...

Author and spiritual guru Deepak Chopra remembers his first spiritual experience with LSD at 17, and discusses various cultural uses of hallucinogenic drugs to achieve enlightenment. He touches on ritualistic drug use in Native American, Aborigine, and Indian religious traditions.


LSD and mass hypnosis

Aldous Huxley is the most successful mass hypnotist in history. Before he wrote "Doors of Perception" (1954) and "Heaven and Hell" (1956) virtually everyone who had taken LSD had found the experience extremely unpleasant. After that a cottage industry arose of "doctors" who would "guide" their patients through the LSD experience. The fact that someone is in a highly suggestible state while under the influence of this powerful hallucinogenic leaves that person extremely vulnerable to manipulation. If the "patient" is told that they are having a "spiritual experience" then they will believe they are having a "spiritual experience".


Aldous Huxley spoke to an audience at UC Berkeley in 1962 about how people can easily be led to believe that a placebo is a powerful pain killer, or that a simple audio recording (or book) can change their lives.


He clearly understood just how suggestible humans are - even without being under the influence of drugs. He said that 20% of the population can easily be persuaded to believe almost anything - even without the use of hallucinogenics.


It can be easily concluded that this percentage would go up dramatically under the influence of LSD. Let me remind you that the reason that the CIA conducted so many experiments with LSD as part of their MKULTRA program, was because they found it to be highly effective in mind control and "brainwashing".


Huxley attempted to use LSD to control the minds of a whole generation in order to get them to abandon their Christian religious beliefs, and to adopt his new age spiritualism. More than fifty years later, the results of his drug-fueled propaganda campaign are truly "mind blowing".